Correspondence with Theodore Dreiser, 1919-1920.
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Everyman Theatre (London, England).
http://n2t.net/ark:/99166/w66q90qr (corporateBody)
The Everyman Theatre was founded by Norman Macdermott in 1920 as a non-commercial, experimental playhouse which showcased the plays of Bernard Shaw. It mounted Noel Coward's first successful work, The Vortex, in 1924 and introduced many foreign dramatists to the English stage including Eugene O'Neill, Henrik Ibsen and Luigi Pirandello. In the 1930s it was used by various small companies and in 1947 it was converted to a cinema specializing in non-commercial and foreign film. From the...
Clark, Barrett H. (Barrett Harper), 1890-1953
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Theatre historian and theorist. From the description of Notes on George Moore, 1922. (Unknown). WorldCat record id: 78812829 From the description of Notes on George Moore, 1922. (Unknown). WorldCat record id: 702148335 Dorothy Lockhart (1905-1985) studied voice at the Curtis Institute of Music in Philadelphia for four years. After completing her studies, she entered the professional theater in England, starting as a stage hand and working her way up to ...
MacDermott, Norman
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The Everyman, in Hampstead, London, England opened as a cinema on 26 December 1933. The building was first opened as the Hampstead Drill Hall and Assembly Rooms in the 1880s. Later it was transformed into a theatre, the Everyman Theatre, which opened in 1920 under the direction of Norman MacDermott (1890-1977) with the first British production of Jacinto Benavente's Bonds of Interest The (Los intereses creados, 1907). You Never Can Tell, opened two weeks later and was a success, lea...
